3s sup rabatt

S. 103–106, Arie Verveen, Magda Klerk: The Gemeentemuseum at the Hague. Entwicklungen und Strukturen. S. 354–356, Review by Kristina L. Shanton: Music Subject Headings: Compiled from Library of Congress Subject Headings. S. 336–338, Review by Lilian P. Pruett: Die Musikhandschriften der Bayerischen Staatsbibliothek, Band 1: Chorbücher und Handschriften in chorbuchartiger Notierung. S. 249–251, Review by Don Harrán: The Madrigal at Ferrara, 1579—1597 (1, Text; II, Musical Examples) (Princeton Studies in Music, 7.) S. 160–161, Inger Enquist: Working Group on the Registration of Music Archives. S. 149–152, Hans Spatzenegger: Entwendete Musikalien aus dem Besitz des Domchors in Salzburg. S. 57–59, Don L. Roberts: Education for Music Librarians in the United States and Canada. S. 316–317, Review by Brian Cockburn: The Disney Song Encyclopedia by Thomas S. Hischak; Mark A. Robinson. S. 251–257, Thomas Stoner: Mendelssohn’s Lieder not Included in the Werke. The stories and lives of the guests and staff, as diverse as they may seem, are intersecting here. S. 84–86, Frits Noske: Early Sources of the Dutch National Anthem (1574—1626). S. 443–445, Review by William Berz: The Conductor’s Legacy by Paula A. Crider. S. 251, Angelika Bierbaum, Jürgen Howitz, Helmut Rösing: Liste der Abkürzungen zur Serie A/II des RISM — List of Abbreviations for RISM Series A/II —Liste des abréviations pour la série A/II du RISM. Series I/1 Volume 1—4. S. 111–118, Natalya Grushkin: The Yusupov Music Collection Of The Russian National Library: A Short Historical Survey. S. 188–189, Review by Thomas F. Heck: Handbook to Bach’s Sacred Cantata Texts: An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions by Melvin P. Unger; Biblical Quotation and Allusion in the Cantata Libretti of Johann Sebastian Bach. 5th edition by Nicolas Slonimsky. In 2010 his tragicomedy Federal Chancellor Honecker had its world premiere at Jeonju International Film festival in South Korea. S. 40–52, Editions Et Reeditions De Musique Ancienne (avant 1800). S. 99–104, H. Robert Cohen, Marcello Conati, Elvidio Surian: Centres Internationaux de Recherche sur la Presse Musicale (CIRPM) / Répertoire International de la Presse Musicale du Dix-Neuvième Siècle (RIPMxix). S. 68–78, François Lesure: R. I. S. M. Indentifications: Les anonymes des Recueils imprimés français du XVIe s. S. 78–84, Nanie Bridgman: Enquête provisoire sur les fonds musicaux des bibliothèques provinciales de France. Second edition. S. 55, Patrick Mills: Working Group On Computer Cataloguing. S. 162–171, Erich Schwandt: Some 17th-Century French Unica in Canada: Notes for RISM. S. 95–96. S. 44–47, David Day: Working Group for the International Registration of Music Archives. (Garland reference library of the humanities, 962) by Avery T. Sharp. S. 19–21, Karol Musioł: Commission On Libraries In Academies, Conservatories And Music Colleges. 1957. Avec un index des noms cités (Archives de l’édition musicale française, tome III). Jahrhunderts by Viacheslav Kartsovnik; Nina Rjazanova. S. 415–416, Kurt Deggeller: Coordination Of Music Documentation In Switzerland: Realities, Projects, Dreams For The Future. S. 331–358, Michael Blake: South African Composers On The World Stage: The Iscm In South Africa. S. 159–160, Hans-Martin Plesske: Musikergedenkstätten in der Deutschen Demokratischen Republik. (I. S. A. M. monographs, 23) by William Lichtenwanger. The Illustrated Encyclopedia of Recorded Opera by Peter Gammond; Lyric Opera of Chicago by Claudia Cassidy; Celebration: The Metropolitan Opera by Francis Robinson. S. 207–208, Review by Ann P. Basart: Großes Sängerlexikon by Karl Josef Kutsch; Leo Riemans. S. 52–61, Marianne Horn: Computer-based music information in Danish libraries. S. 191–192, Review by Marcoemilio Camera: Il Fondo Musicale dell’Arciconfraternitá di S. Girolamo della Caritá. Der Musikbegriff Im Deutschen Barock By Rolf Dammann. S. 12–19, Patrick Saul: Fédération Internationale des Phonothèques (F.I.P.) S. 26–38, Liste Internationale Sélective No. Hall. S. 13–15, Nathan Broder: The American representation in the International Inventory of Musical Sources. 76) by Sterling E. Murray; Chronologisch-thematisches Verzeichnis sämtlicher Werke von Daniel François Esprit Auber (AWV). : Catalogues Of Uniform Titles In Finnish Music Libraries. S. 446, Cliff Eisen: In Mozart’s Words: Perspectives On A New, Online Edition Of The Mozart Family Letters From Italy, 1770–1773. S. 70–72, Review by Robin Moore: Latin Jazz: The First of the Fusions, 1880s to Today by John Storm Roberts. S. 7–9, Irene Millen: Facts and problems about public libraries in USA. Revised edition by Lois Phillips. S. 18–20, Hans Peter Schanzlin: Musik-Sammeldrucke des 18. S. 62–68, Susan M. Clegg: User Surveys and Statistics — the Opportunities for Music Libraries. Of North Carolina Studies In The Germanic Languages, Literatures Nr 59.) S. 35–36, Antony Gordon: Cataloguing Commission. S. 63, Isbd (Nbm) – Sound Recordings Amendments And Additions. S. 85, Heikki Poroila: Finnish Jazz and Pop Archive’s New Digitizing Service. Geburtstag, die Klaus überbrachte und für die freundlichen Worte, die mehrere am Telefon aussprachen. Max Kalbeck zum 150. S. 187–188, Review by Heikki Poroila: Johann Michael Haydn (1737–1806): A Chronological Thematic Catalogue of His Works. Year III No. S. 181–183, Graham Langley: The British Institute of Jazz Studies. S. 24–27, Kauko Karjalainen: The Music Library Of The Finnish Broadcasting Company. S. 28–29, Marie Louise Martinez-Göllner: Die Augsburger Bibliothek Herwart und ihre Lautentabulaturen: Ein Musikbestand der Bayerischen Staatsbibliothek aus dem 16. S. 56–61, Mireille Geering, Jaromír Paclt: Eine musikalische Theaterbibliothek „auf der Reise nach Prag“. (Detroit Studies in Music Bibliography, 70) by Robert Lamar Weaver; Norma Wright Weaver. (Catalogus Musicus. S. 57–60, Hans Zehnter: A: Paper by André Jurres (Amsterdam). (Notre Dame conferences in medieval studies, 1) by André Barbera. S. 97–99, Review by John Schuster-Craig: Kaija Saariaho. S. 45–67, Editions Et Reeditions De Musique Ancienne (avant 1800). Listen free to Martin Pfeiffer – Alle meine Geburtstags- und Partyliederklassiker (Zum Geburtstag viel Glück, Wie schön, dass du geboren bist and more). S. 7–11, Don L. Roberts: 1988 Treasurer’s Report. (RILM Retrospective Series, No. S. 60–64, Review by Mark McKnight: Speaking of Music: Music Conferences, 1835—1966. S. 62–67, Franz Grasberger: À Propos Des Échanges De Musique. Inventaire par Brigitte Labat-Poussin... . S. 407–409, H. Robert Cohen: Répertoire International de la Presse Musicale (RIPM). A. Račkova, Mme Forest: Le Département de la Musique de la Bibliothèque Publique de Léningrad. XVIII) by C. A. Höweler; F. H. Matter. S. 65–66, Eva-Britt Fanger: The Danish National Bibliography of Music: Problems Connected with its Establishment. Breslau 4. S. 124–125, Anders Lönn: RILM THESAURUS SUB-COMMISSION. 7, 1977) by Ferdinand Zellbell; 24 Oder af våra bästa poeters arbeten, print of Stockholm 1754 (vol. S. 86–95, Valentine Britten, Francis F. Clough, Geoffrey Cuming: Problems Of An International Gramophone Record Catalogue. S. 158–159, Review by Jean-Michel Nectoux: À l’Écoute de Claude Debussy. S. 220–224, Angela Annabell: New Zealand Folk Song: An Update with Reference to Resources in New Zealand Libraries. S. 87–93, Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 12–21, Åke Davidsson: Cultural Background to Collections of old Music in Swedish Libraries. S. 71–74, Edward R. Lerner: Music Prints in the Cathedral Library of Brescia. S. 55, Review by Dragotin Cvetko: Une nouvelle Encyclopédie de la Musique. S. 202, Santie De Jongh: South Africa: IMS-SASRIM Conference in Stellenbosch, South Africa, 2010. S. 218–219, Review by Miriam Miller: Music Publishing, copyright and piracy in Victorian England; a twenty-five year chronicle, 1881—1906, from the pages of Musical Opinion and Music Trades Review and other English music journals of the period by James Coover. S. 336–338, Review by John Schuster-Craig: Othmar Schoeck: Life and Works. S. 174–179, Bernard Huys: Belgian music periodicals; their national and international interest. S. 251–253, Kofi Agawu: To Cite Or Not To Cite? Achetez neuf ou d'occasion Wien 21.—24. S. 413–415, Review by Doris Evans Mcginty: Afro-American Singers; An Index and Preliminary Discography of Opera, Choral Music and Song by Patricia Turner. S. 151–163, Harmut Walravens: Ismn: The International Standard Music Number: A new standard to rationalize the music trade. S. 140–141, Review by Thomas F. Heck: Oscar Sonneck and American Music by William Lichtenwanger. (Festschrift Series, no. 2). S. 208–211, Michael Cuscuna, Charlie Lourie: Mosaic Records. S. 136–139, Dominique Assaf: Bibliothèques de Recherche. S. 391–420, Barbara Dobbs Mackenzie: Rilm At 40: A View From The Bridge. Day: Working Group for the International Registration of Music Archives: Report of Sessions at Berkeley in 2002. S. 8, Israël Adler: Une source hébraïque de 1602 relative à la musica reservata?. S. 3–5, Vladimir Fédorov: The International Joint Commission of the RISM. S. 320, Antony Gordon: IAML Strategy Committee. S. 297–298, Mary Kay Duggan: Commission on Service and Training. S. 125–128, Karl Kroeger: Research Centers in American Music: A Little-Used Informational Resource. S. 203–205, Joachim Jaenecke, Lenore Coral, Alan Karass: Information, NEWS, Reports. S. 147–148, Review by Karl Kroeger: Early American music: a research and information guide. S. 53–60, George Mullally: Some Remarks on the Library of Congress Classification Schedule for Music. Commission Reports And Papers Given At Their Meetings. S. 194–196, Review by Adriana Helbig: The New (Ethno)musicologies. S. 301–303, Milan Vokroj: Hits or Fugues? Juli 1982 in Brüssel. S. 217–218, Review by Mark E. Perry: Critical Essays in Popular Musicology by Allan F. Moore. S. 22–26, Hugh Cobbe: Music In The New British Library. S. 435–437, Review by David Trippett: Hearing and Knowing Music: The Unpublished Essays of Edward T. Cone by Robert P. Morgan. Band I, Band II by Albert Dunning. S. 76–77, Review by Horst Leuchtmann: Thematic catalogue of the works of Carl Philipp Emanuel Bach by E. Eugene Helm. S. 160, János Kárpáti: Hungarian Music Libraries Today (An Essay On A Paradox). S. 112–113, Ina Albert: Die Bibliotheken der Musikhochschulen der DDR. S. 295–297, Malcolm Turner: Waving or drowning? S. 144–146, Review by Chris Walton: Musicalisches Lexicon oder Musicalische Bibliothec. S. 570–595, Heikki Poroila: News from the Second Nordic-Baltic Meeting Music—Politics—Libraries in Helsinki. S. 413–414, Review by Keith E. Clifton: Classic Chic: Music, Fashion, and Modernism. S. 162, Federica Riva: Libraries in Music Teaching Institutions. S. 389–390, Michael Ochs: Mary Wallace Davidson (1935–2012). S. 192–194, Review by Harriette Hemmasi: The coming of age of American art music: New England’s classical romanticists. Band VIII: Französische Schule und Deutsche Meister by Verband Schweizerischer Geigenbaumeister. S. 149–157, Joe C. Clark: User – Centered Events In A Performing Arts Library. S. 14–15, Jaime Moll Roqueta: Informe de las Bibliotecas Musicales Publicas españolas durante el curso 1955—1956. S. 387–388, Erling Dujardin: Denmark: Annual Report 1993. S. 83–86, Review by Brian C. Thompson: Music, Nationalism, and the Making of the New Europe. S. 247, Isolde Unger: Zu Fragen der Aus- und Weiterbildung der Musikbibliothekare in der DDR. S. 604–605, Review by Bryan Proksch: Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cité de la Musique, Paris 1999. S. 28–30, Ruth Watanabe: Workshops and Institutes for Music Librarians in the United States. S. 217–228, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 142–153, Hélène Charnassé, Harry B. Lincoln, Warren E. Hultberg, Helmut Rösing, Joachim Schlichte, Philip J. Drummond: Les bases de données en musicologie. S. 22–27, William J. Weichlein: Training for Music Librarianship. S. 242–243, Review by Gregory Proctor: Music Analysis in Theory and Practice by Jonathan Dunsby; Arnold Whittall. S. 243–249, Siren Steen: The Grieg Archives At Bergen Public Library. S. 70–78, Richard Crawford: American Music and its Two Written Traditions. S. 335, Review by Andreas Vollberg: Leoš Janácek: Eine Biografie. leifpeng. (Detroit studies in music bibliography, 60) by James Coover. Archives Of Latvian Folklore As A Public Source Of Information. S. 237–245, Heikki Poroila: Children And The Music Library. S. 78–79, Kurt Dorfmüller: Subkommission Für Klassifikation. S. 65, Marsha Berman: New Eyes: The Intern in the Music Library. S. 27–32, Nimrod Ben-Zeev: Réflexions Sur Le Catalogage Des Partitions Annotées. S. 209–211, Robyn Holmes: Music At The National Library Of Australia. S. 198, Heikki Poroila: Public Libraries Branch. 5.6K Followers•324 Following. S. 183–184, John H. Roberts: In Memoriam Otto E. Albrecht. S. 194–202, Editions Et Reeditions De Musique Moderne (XIX et XXe ss.). S. 375, Rupert Ridgewell: Bibliography Commission: Working Group on Access to Performance Ephemera. S. 75–78, Rita Benton: The Instrumental Music of Jean-Frédéric Edelmann: A Thematic Catalogue and List of Early Editions. by Brian W. Harvey; Carla J. Shapreau. S. 22, Huib Deetman: The Tasks Of A Music Librarian: A Report To The Commission On Education And Training. S. 229–236, Ola Graff: The North Norway Folk Music Collection At The Tromsø Museum: The Foremost Archive Of Lapp (Sami) Music. S. 21–24, Joachim Schlichte: Internationales Quellenlexikon der Musik Zentralredaktion Frankfurt/Main Arbeitsbericht 1988. by James J. Fuld; Mary Wallace Davidson. S. 322–331, Margus Pärtlas: Eduard Tubin: Current Research And Publishing Projects. S. 1–2. S. 307–308, Sherry L. Vellucci: Down The Yellow Brick Road: What Should We Teach About Internet Resources?. Harald Heckmann: Schallaufzeichnungen als musikgeschichtliche Quellen. 6) by Rosemary Hilmar. S. 88–89, Review by Joachim Jaenecke: Nähe aus Distanz. S. 170–172, Marjorie Hale: Canadian Association of Music Libraries/Association canadienne des Bibliothèques musicales. S. 165–170. S. 243–256, Rudolf Walter: Das Musikalienverzeichnis der Breslauer Kathedrale aus dem Jahr 1761. S. 61, Kurt Dorfmüller: Project Group on Classification. S. 137, Review by Catherine Massip: Mikrofilmek címjegyzéke. S. 77–79, Lionel R. Mc Colvin: Music in Public Libraries — why? She awaits deliveries of beer, wine and cigarettes. S. 97, Garrett H. Bowles: Catalog Commission Working Groups. by César Gardeton. 109) by Matthew Flannery. S. 512–518, Richard Excell: Bowerbird To L’oiseau – Lyre: The Hanson – Dyer Collection At The Louise Hanson – Dyer Music Library, The University Of Melbourne. S. 315–316, Patricia Frechon: L’outreach Au Cnsmdp (Conservatoire National Supérieur De Musique Et Danse De Paris). Dokumente und Studien.

Duale Studiengänge Düsseldorf 2021, Gründe Für Beschäftigungsverbot Im Büro, Nc Wirtschaftspädagogik Nürnberg, Polizei Brandenburg Direktion, Warnemünde Hotel Hohe Düne,